Director: Unique Moore | Photographer: Malaya Edwards-Roberts | Genre: Fashion
A conceptual exploration of the Caribbean Diaspora. Exploring Trinidadian heritage through references to the ‘ghetto yute’ / dancehall style in emergence with the mockery of British sartorial aesthetic as an act of defiance and rebellion to western societies standard of ‘acceptable’ in homage to Trinidadian carnival that started with slaves mocking their oppressors sartorial aesthetic as an act of defiance which turned into a liberated celebration.
